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Yes it was definitely “high art”, but it was entirely graspable in its pitch of human emotions and depth of feeling.īush would go on to make more brilliant music, but she would never top this wondrous marriage of conceptual ingenuity and pop nous. The depth of what was on play here was like observing the depth of oil colours on a beautiful painting or uncovering the deeper meanings at play in a devilishly clever cinematic masterpiece. They battled with the good forces in songs like ‘Jig Of Life’ or the out-of-body, lonely grief of ‘Watching You Without Me’. Tracks like ‘Under Ice’ and ‘Waking The Witch’ were truly horrifying, Gothic soundscapes which greedily bubbled with disturbed voices, desperate noises and inescapable violence. Throw Pillows Fleece Blankets Duvet Covers Shower. 1 - 72 of 166 hounds of love posters for sale. Cover Art provided by the Cover Art Archive. For the cover design, Bill Smith Studio paired a photograph taken by John Carder Bush (the artist’s brother) with ITC Zapf Chancery (1979). Wall Art / Posters / Hounds Of Love Posters Hounds Of Love Posters. Cloudbusting Hounds of Love Hounds of Love (collector’s edition) Running Up That Hill The Big Sky The Hair of the Hound: included in: Remastered in Vinyl II Remastered, Part I This Woman’s Work: Anthology 19781990: part of. The album placed very highly in the charts, and produced several hit singles it went on to sell more than a million copies wordwide, and regularly features in various all-time-best lists. All hounds of love posters ship within 48 hours and include a 30-day money-back guarantee. And they’re absolutely terrified, and they’re completely alone at the mercy of their imagination, which again I personally find such a terrifying thing, the power of one’s own imagination being let loose on something like that.” Choose your favorite hounds of love posters from 166 available designs.
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“And they’ve got a life jacket with a little light so that if anyone should be traveling at night they’ll see the light and know they’re there. And I find that horrific imagery, the thought of being completely alone in all this water. As Bush tells it: “The idea is that they’ve been on a ship and they’ve been washed over the side so they’re alone in this water.
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The songs were strung together over the loose narrative of a girl drowning at sea. Whilst that run of songs were some of Bush’s strongest to date, it was the conceptual second side (‘The Ninth Wave’) which saw her brilliantly meshing together her most high art, avant-garde tendencies with her unique pop sensibilities.
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